This is one of several made-up forms I and other poets devised in a workshop. This is N’s form and my poem having a go at using it. Fibonarch: The poem rises and falls to a Fibonnaci sequence of words (mathematical sequence in which each successive number is the sum of the two preceding numbers)….
Deleted
Deleted It’s the old story, over and over again, how someone travels to finish something ends up in bed, travels back to ‘confess’ to the wife who he’s living apart from anyway because of all this, then there’s the hapless other, receiving this by text and having lavished text- clucks of sympathy until the moment…
Depot
A depot, in this instance, is an intravenous injection of medication. The poem speaks for itself. Depot Not a storage hangar on the outskirts of the city but the injection brought by Ruth , ‘you’re doing really well, my darling..’ and me walking in on the two of you in the hall, as she punctured…
A Cento: The Patchwork Mermaid’s First Day on Land
According to Ron Padgett in The Handbook of Poetic Forms, a ‘Cento (from the Latin meaning ‘patchwork’ )is …a poem made entirely from pieces of poems from other authors’. I’ve been seeking out my favourite translated poems so today I’ll extract random lines from a lovely collection, ‘The Fifty Minute Mermaid’ by Nuala Ni Dhomhnaill…
Postcard of Flora
This is a fresco of the goddess, Flora, and was my favourite exhibit in the recent ‘Life and Death in Pompeii and Herculaneum’ exhibition at the British Museum. She was rescued by the Bourbons, apparently, and was situated in the Vialla of Ariadne at Stabiae. She represents an archetype of Spring, in her saffron-coloured robe…
Experimental form -Equinoctial
This is a made-up form for an activity. It is called an Equinoctial. An Equinox denotes equal day and equal night. The Equinoctial has these features and rules: 24 lines A discernible shift from one state to its opposite/oppositional in either/and/or subject and form. A notable ‘hinge’ or ‘portal’ line when the shift happens 2…
1950, 2013
Today’s poem is a response to this painting by Edward Hopper. I have used it as a prompt for ekphrastic poems when teaching creative writing. As in all Hopper’s work, like Shaw’s, it is both grounded and ineluctable. at least the whether is brighter than it is today in Leicester. What is the woman looking…
Listen
Coventry-born George Shaw is one of my favourite artists and, as I lived not so far away during my childhood and teens, his paintings based around the Tile Hill estate where he grew up have great resonance for me. I find them ‘uncanny’: realistic but other-worldly at the same time, unpeopled yet denoting lives being…
A poem a day for April
Well my good intentions of writing a poem a day for April have already gone awry as I missed out on yesterday. I’ll resume my good intentions and post two today. In the spirit of all my posts on ‘Heckle’ I will continue to post a poem and an accompanying image. The poem will respond…
These days
These days (for Z) You’re in the wrong house, wearing another man’s clothes – somewhere he’s searching, naked and confused. You wonder who the woman is at breakfast, those kids… Car in the drive, you steal it, arrive at someone else’s workplace, rifle through his desk, send out incriminating emails in his name. You piss,…
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