I’m interested in poetry and the visual – poems that respond to art and other visual forms, works where words and images share the same space and/or use the space of the page in a vital way. Poet Julie Mellor has been posting interesting examples of redacted poetry where words of a text are blacked out leaving other words here and there as the poem. I’m a fan of poet Mary Ruefle who is well known for using erasure as a compositional method. ‘White-out’ rather than redaction. You can read more about Ruefle’s erasure method here.
“An erasure is the creation of a new text by disappearing the old text that surrounds it. I don’t consider the pages to be poems, but I do think of them as poetry, especially in sequence and taken as a whole; when I finish an erasure book I feel I have written a book of poetry without a single poem in it, and that appeals to me.”
Here is Mary Ruefle talking about her methods.
This is an interesting article in Jacket – are erased books defaced or refaced books?
From A Little White Shadow Mary Ruefle
Jen Bervin is another poet who used erasure in fascinating ways, such as in Nets, where she erases each of Shakespeare’s Sonnets. New poems leap out at us and the deliberately applied white space makes that happen.
“I stripped Shakespeare’s sonnets bare to the “nets” to make the space of the poems open, porous, possible—a divergent elsewhere. When we write poems, the history of poetry is with us, pre-inscribed in the white of the page; when we read or write poems, we do it with or against this palimpsest.”
We read the original sonnet in a new light. Here is an article the making of Nets. I used Bervin’s sonnets in a NAWE workshop on sonnets a couple of years ago to demonstrate how the altered poems throw different lights on the originals. I like the way the earlier text is ghosted in the background and the spare elegance of the new poems.
Perhaps next time I’ll post some of my visual experiments.